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omarte Helps Large-scale Situational Experience Drama

VIEWS:2200times RELEASE TIME:2018-06-28

omarte in Love

The premiere of the large-scale situational experience drama "Meng Gui Ping Yue" was successful.

Ou Ma's Partners Work Day and Night

Two months, more than 1,000 hours

From scratch, from dream to reality

We are a group of miracle workers.

August 10 Fuquan, Guizhou

All stage lamps and stage machinery in Menggui Pingyue are provided by omarte, mainly using more than 400 stage equipment such as 1500Wprofile light, 1500W dyeing lamps, 1500W chasing lamps and three-in-one computer lamps from omarte.

The combination of high-quality lighting products with the scenery full of visual impact and the superb acting skills of the actors make the audience intoxicated with this and "experience" the legendary life of ancient Shen Wansan.

Next, please travel with Ou Ma Xiaobian in history

-Crossing Countdown-

This time, omarte and you have traveled through the ages together.

This time around, omarte's flagship products are in full swing

This time, it is not only lighting and stage machinery that are giving force.

There are also omarte''s partners who are fighting day and night.

-Through the Ming Dynasty-

The play tells the story of Shen Wansan, the "richest man in the south of the Yangtze River" in the late Yuan Dynasty and early Ming Dynasty, who, after being sent to the southwest, used the Dian-Qian ancient road to develop the caravan trade and set up a second venture to help revitalize the Pingyue government and build the city wall.  The Shen Wansan in the play not only creates a business myth, but also explains the value of life in Germany.  Later generations honored him as "God of Wealth".
/Lu Fu Marriage/
/San Shan Street/
/Become Immortal by Realizing Tao/

As a large-scale traveling performance experience play, the play perfectly integrates ancient and modern elements, not only maintaining the classical traditional aesthetic feeling, but also giving people the feeling of fashion innovation.  The dialogue and action of folk customs are integrated into the play, so that the audience can really "cross" to the Ming Dynasty as if they were rushing for an episode in ancient times.


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